{"id":11208,"date":"2022-08-22T04:07:15","date_gmt":"2022-08-22T09:07:15","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/sem-categoria\/mizu-no-me-gianfranco-foschino\/"},"modified":"2022-09-01T09:21:18","modified_gmt":"2022-09-01T14:21:18","slug":"mizu-no-me-gianfranco-foschino","status":"publish","type":"post","link":"https:\/\/historiadelarte.uniandes.edu.co\/pt-pt\/fringes-pt-pt\/mizu-no-me-gianfranco-foschino\/","title":{"rendered":"MIZU NO ME (2019) &#8211; Gianfranco Foschino"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661161341318{border-bottom-width: 1px !important;border-bottom-color: #002763 !important;border-bottom-style: solid !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11058&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;La revista&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Frevistas.uniandes.edu.co%2Fjournal%2Fhart|target:_blank&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;Post\u00falese&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fh-art%2Fpostulese-fringes%2F&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;Contacto&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fproyectos%2Fhart-en-los-limites%2F%23contacto&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159887424{padding-top: 60px !important;padding-bottom: 60px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h6 style=\"text-align: left;\"><b>MIZU NO ME (2019)<\/b><\/h6>\n<p>[\/vc_column_text][vc_column_text]<strong>Video Escultura \/ Retroproyecci\u00f3n HD sobre pantalla de cristal. <\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Hormig\u00f3n armado. Cristal templado. L\u00e1mina de retroproyecci\u00f3n. Video HD. 18 min. Color. Sin sonido. Loop. 190 x 280 x 140 cm.<\/span>[\/vc_column_text][vc_row_inner content_placement=&#8221;middle&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11054&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_circle_2&#8243; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;http:\/\/www.gianfrancofoschino.org\/&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<a href=\"https:\/\/www.linkedin.com\/in\/gianfrancofoschino\/?originalSubdomain=cl\" target=\"_blank\" rel=\"noopener\"><strong>Gianfranco FOSCHINO<\/strong><\/a><\/p>\n<p>Artista visual[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11055&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159980059{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h2><strong>Los ojos del agua<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Por Carolina Castro Jorquera<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Ubicado en medio de un bosque end\u00e9mico de cipreses<\/span> <i><span style=\"font-weight: 400;\">(Cryptomeria jap\u00f3nica),<\/span><\/i> <span style=\"font-weight: 400;\">d\u00f3nde es posible encontrar plantas nativas de jap\u00f3n como Hortensias<\/span> <i><span style=\"font-weight: 400;\">(Hydrangea macrophylla)<\/span><\/i><span style=\"font-weight: 400;\">,\u00a0 Azaleas<\/span> <i><span style=\"font-weight: 400;\">(Azalea)<\/span><\/i><span style=\"font-weight: 400;\">, Cerezos silvestres<\/span> <i><span style=\"font-weight: 400;\">(Wild Cherry Blossom)<\/span><\/i> <span style=\"font-weight: 400;\">entre otras especies propias de un ecosistema de abundante agua, el<\/span> <span style=\"font-weight: 400;\"><span style=\"color: #0000ff;\"><strong><a style=\"color: #0000ff;\" href=\"https:\/\/acac-aomori.jp\/acac01\/en\/index.html\">Aomori Contemporary Art Centre (ACAC) en Jap\u00f3n<\/a><\/strong><\/span>, dise\u00f1ado por Tadao Ando<\/span> <span style=\"font-weight: 400;\">es el escenario ideal para la pr\u00e1ctica de artistas que, como <strong>Gianfranco Foschino<\/strong>, buscan espacios para la contemplaci\u00f3n. Desde la experiencia profunda de ese silencio mental, la contemplaci\u00f3n puede ser, m\u00e1s que un estado asc\u00e9tico, un acelerador de un cambio radical en nuestros h\u00e1bitos de ver, o\u00edr, y sobre todo de estar en el mundo.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">La exposici\u00f3n colectiva <span style=\"color: #0000ff;\"><strong><a style=\"color: #0000ff;\" href=\"https:\/\/www.acac-aomori.jp\/wp\/work\/2019-3-2-2\/?lang=en\">COURAGE IN TRANSIENCE<\/a><\/strong><\/span> curada por Aya Murakami, re\u00fane a los artistas del programa de residencias del ACAC AIR, el cual esta temporada 2019 reflexiona en torno a la palabra \u201chakani\u201d, un concepto del japon\u00e9s que significa &#8220;fugaz&#8221; o &#8220;fr\u00e1gil&#8221;, y cuyos signos de escritura implican, como se\u00f1ala el texto curatorial, una actitud de voluntad negada.<\/span> <span style=\"font-weight: 400;\">La transitoriedad<\/span> <i><span style=\"font-weight: 400;\">(Transience)<\/span><\/i> <span style=\"font-weight: 400;\">de nuestro tiempo en este planeta se enfrenta por primera vez, en la conciencia humana, con su trascendencia<\/span> <i><span style=\"font-weight: 400;\">(Transience)<\/span><\/i> <span style=\"font-weight: 400;\">como especie. Estamos en v\u00edas de desaparici\u00f3n, y nuestro profundo ego no nos permite ver que as\u00ed como han desaparecido otras especies, es factible que nosotros sigamos el mismo destino. Uno de los signos m\u00e1s evidentes de esto es el agotamiento de uno de los recursos fundamentales para la vida: el agua.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Durante varios meses Foschino realiz\u00f3 diferentes paseos en las inmediaciones del ACAC, produciendo una serie de videos, los cuales muestran lugares, encuadres, en los cuales la dificultad de identificar un lugar en espec\u00edfico, favorece la posibilidad de interpretar ese entorno natural como un lugar universal. La naturaleza como un todo interconectado a trav\u00e9s de una extensa red de relaciones colaborativas. Ojos de Agua es una serie de una video esculturas de cristal y concreto, con im\u00e1genes de superficies de r\u00edos de distintos lugares del mundo. MIZU<\/span> <span style=\"font-weight: 400;\">NO<\/span> <span style=\"font-weight: 400;\">ME es su versi\u00f3n filmada en el r\u00edo Oirase en Jap\u00f3n. En su nombre est\u00e1 impl\u00edcita una comunicaci\u00f3n entre el artista y el agua, reconociendo en ella su agencia.<\/span>[\/vc_column_text][vc_btn title=&#8221;Immersed in Movement, MURAKAMI Aya. Aomori Contemporary Art Centre.&#8221; style=&#8221;flat&#8221; shape=&#8221;square&#8221; color=&#8221;black&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-hand-pointer&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.acac-aomori.jp%2Fwp%2Fwork%2F2019-3-2-2%2F%3Flang%3Den%20https%3A%2F%2Fdrive.google.com%2Ffile%2Fd%2F1ZibAiFK1YUOmhvw-rYtKRkt86q4yefb0%2Fview|title:Gianfranco%20FOSCHINO%20-%20Immersed%20in%20Movement%20MURAKAMI%20Aya.%20Aomori%20Contemporary%20Art%20Centre.|target:_blank&#8221;][vc_single_image image=&#8221;11053&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159944526{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><strong>Otros proyectos<\/strong><\/h2>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">Artes tecnol\u00f3gicas contempor\u00e1neas<\/span><\/p>\n<p>[\/vc_column_text][vc_basic_grid post_type=&#8221;post&#8221; 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