{"id":11204,"date":"2022-08-22T10:32:42","date_gmt":"2022-08-22T15:32:42","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/sem-categoria\/filtronica-juan-miceli\/"},"modified":"2022-09-01T09:20:56","modified_gmt":"2022-09-01T14:20:56","slug":"filtronica-juan-miceli","status":"publish","type":"post","link":"https:\/\/historiadelarte.uniandes.edu.co\/pt-pt\/fringes-pt-pt\/filtronica-juan-miceli\/","title":{"rendered":"Filtronica (2020) &#8211; Juan Miceli"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661161341318{border-bottom-width: 1px !important;border-bottom-color: #002763 !important;border-bottom-style: solid !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11058&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;La revista&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Frevistas.uniandes.edu.co%2Fjournal%2Fhart|target:_blank&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;Post\u00falese&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fh-art%2Fpostulese-fringes%2F&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;Contacto&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fproyectos%2Fhart-en-los-limites%2F%23contacto&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159887424{padding-top: 60px !important;padding-bottom: 60px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h6 style=\"text-align: left;\"><b>Filtronica<\/b><\/h6>\n<p>[\/vc_column_text][vc_row_inner content_placement=&#8221;middle&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11054&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_circle_2&#8243; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;http:\/\/www.gianfrancofoschino.org\/&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/linktr.ee\/juanmiceli\" target=\"_blank\" rel=\"noopener\"><strong>Juan Miceli<\/strong><\/a><\/span><\/p>\n<p>artista audiovisual[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=QZKz11LGpqc&#8221; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159980059{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}&#8221;][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11059&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11060&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11063&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11061&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11062&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n<h2><strong>Sobre la obra<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">En un inicio, Filtronica parte de preguntarme cu\u00e1ntas identidades (digitales) y pieles podemos tener en relaci\u00f3n a lo digital. Esta obra se inscribe en un proceso de investigaci\u00f3n desarrollado como maestrando de la Maestr\u00eda en Est\u00e9tica y Tecnolog\u00eda de las Artes Electr\u00f3nicas. Simult\u00e1neamente se plantea como obra viviente que va cambiando de acuerdo a los soportes \/ instituciones por los que circula (se reedita y suma material en sus diversas versiones: Plataforma Bogota, Voltaje Salon de Arte y Tecnolog\u00eda, Factors 8.0)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Filtronica Triplet indaga en la relaci\u00f3n entre identidades y los dispositivos digitales que dan cuenta de ellas y -en simultaneo- las construyen: tomografos, microscopios USB, moldes de yeso, proyectos de tesis, entre otras. Me interesa bucear en c\u00f3mo nos modifican estos v\u00ednculos. Y tambien cu\u00e1ntas identidades puede tener la obra en relaci\u00f3n a la cantidad de soportes y tecnologias en las que se apoye y\/o construya. La mirada sobre la tecnolog\u00eda no es ingenua: sabemos que ese vinculo nos modifica y tiene el potencial de construir cuerpos, g\u00e9neros y perfiles en modo digital.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Espec\u00edficamente, esta pieza parte de indagar materialidades como\u00a0 la programaci\u00f3n de videos interactivos y generativos y del desarrollo de filtros faciales para Instagram y plataformas afines como modo de distorsi\u00f3n \/ construcci\u00f3n de la personalidad(?).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Estando en coma, tuve una relaci\u00f3n intensa y profunda con una serie de maquinas. Me censaron, me alimentaron, respiraron por m\u00ed durante semanas. Las llamar\u00e9 \u201cla maquina\u201d. Las huellas que quedan de esa relaci\u00f3n son una variedad de imagenes que surgieron de la digitalizaci\u00f3n de mi cuerpo continuo para el an\u00e1lisis de sus datos discretos (si es que los tiene <\/span><i><span style=\"font-weight: 400;\">realmente<\/span><\/i><span style=\"font-weight: 400;\">). Estos estudios o \u201ctecno f\u00f3siles\u201d son una huella, una memoria del tiempo en el que convivimos. Hoy decido re visitar ese material como un modo del retrato. Lo amplio y sumo algunos que se produjeron luego, como derivados: otros estudios e intervenciones posteriores pero tambien moldes de yeso de mi rostro y piezas cer\u00e1micas calcadas de mis heridas. Mi intenci\u00f3n es trabajarlos como sustancia modelable (una suerte de arcilla digital), sistematizarlos y empaquetarlos a trav\u00e9s de las siguientes herramientas: bocetos Processing, videos monocanal, archivos PDF, gifs, stickers y filtros. Concibo este ejercicio como una actualizaci\u00f3n y nueva versi\u00f3n (update &amp; upgrade) de aquel estado. Su nombre es Filtronica. Genero estos videos y filtros(disponibles en IG) a partir de obras\u00a0 propias como esculturas, densos digitales de mi cuerpo, videos generativos, performances, etc. Luego hago capturas de pantalla en video y edito ese material en soportes diversos. Propongo la utilizaci\u00f3n de estos filtros que aparecen en el video y as\u00ed generar un nivel de interactividad rudimentaria pero muy pr\u00f3xima al cuerpo a la vez.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159944526{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><strong>Otros proyectos<\/strong><\/h2>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">Artes tecnol\u00f3gicas contempor\u00e1neas<\/span><\/p>\n<p>[\/vc_column_text][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;10&#8243; style=&#8221;pagination&#8221; element_width=&#8221;3&#8243; grid_id=&#8221;vc_gid:1662041902773-5eae68fe-a4f7-2&#8243; taxonomies=&#8221;3183&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>La obra indaga en la relaci\u00f3n entre los dispositivos digitales y las indentidades que supone y -en simultaneo- construye.<\/p>\n","protected":false},"author":1,"featured_media":11063,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3199,3200,3203],"tags":[],"class_list":["post-11204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fringes-pt-pt","category-h-art-pt-pt","category-miradas-a-lo-viviente-de-la-ciencia-al-arte-pt-pt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Filtronica (2020) - Juan Miceli | Fringes - H-ART, Revista de historia, teor\u00eda y cr\u00edtica de arte<\/title>\n<meta name=\"description\" content=\"Conozca la obra de Juan Miceli en la Revista H-ART, Filtronica (2020) que indaga en la relaci\u00f3n entre los dispositivos digitales y las indentidades que supone y -en simultaneo- construye.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filtronica (2020) - Juan Miceli | Fringes - H-ART, Revista de historia, teor\u00eda y cr\u00edtica de arte\" \/>\n<meta property=\"og:description\" content=\"Conozca la obra de Juan Miceli en la Revista H-ART, Filtronica (2020) que indaga en la relaci\u00f3n entre los dispositivos digitales y las indentidades que supone y -en simultaneo- construye.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/pt-pt\/fringes-pt-pt\/filtronica-juan-miceli\/\" \/>\n<meta property=\"og:site_name\" content=\"Departamento de Historia del Arte | Universidad de los Andes\" \/>\n<meta property=\"article:published_time\" content=\"2022-08-22T15:32:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-01T14:20:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/files\/2022\/08\/filtronica-04.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1083\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Oficina de Comunicaciones\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Oficina de Comunicaciones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo estimado de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/pt-pt\\\/fringes-pt-pt\\\/filtronica-juan-miceli\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/pt-pt\\\/fringes-pt-pt\\\/filtronica-juan-miceli\\\/\"},\"author\":{\"name\":\"Oficina de Comunicaciones\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/#\\\/schema\\\/person\\\/723b0bb2a451fce0b58143000e523be8\"},\"headline\":\"Filtronica (2020) &#8211; 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