{"id":11196,"date":"2022-08-23T06:21:25","date_gmt":"2022-08-23T11:21:25","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/sem-categoria\/inhalaciones-territoriales\/"},"modified":"2022-09-01T09:19:38","modified_gmt":"2022-09-01T14:19:38","slug":"inhalaciones-territoriales","status":"publish","type":"post","link":"https:\/\/historiadelarte.uniandes.edu.co\/pt-pt\/fringes-pt-pt\/inhalaciones-territoriales\/","title":{"rendered":"Inhalaciones territoriales &#8211; Ana Laura Cantera"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661161341318{border-bottom-width: 1px !important;border-bottom-color: #002763 !important;border-bottom-style: solid !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11058&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;La revista&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Frevistas.uniandes.edu.co%2Fjournal%2Fhart|target:_blank&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;Post\u00falese&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fh-art%2Fpostulese-fringes%2F&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_btn title=&#8221;Contacto&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#002763&#8243; outline_custom_hover_background=&#8221;#002763&#8243; outline_custom_hover_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; align=&#8221;center&#8221; button_block=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fproyectos%2Fhart-en-los-limites%2F%23contacto&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159887424{padding-top: 60px !important;padding-bottom: 60px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h6 style=\"text-align: left;\">Inhalaciones territoriales<\/h6>\n<p>[\/vc_column_text][vc_row_inner content_placement=&#8221;middle&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11054&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_circle_2&#8243; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;http:\/\/www.gianfrancofoschino.org\/&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<a href=\"https:\/\/www.analauracantera.com.ar\/inhalaciones\" target=\"_blank\" rel=\"noopener\"><strong>Ana Laura Cantera<\/strong><\/a> &#8211; Colaboraci\u00f3n Demian Ferrari[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11071&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159980059{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<p class=\"p2\"><span class=\"s1\"><span class=\"Apple-converted-space\">\u00a0<\/span><\/span>El territorio urbano inhala y coexiste. Ya dej\u00f3 de ser dist\u00f3pico y se convirti\u00f3 en un nuevo paisaje antropoc\u00e9nico que se impregna de agentes humanos y sus productos. La poluci\u00f3n presente en la atm\u00f3sfera es una gran amenaza a nivel mundial y la principal causa de muerte prematura. Las micropart\u00edculas de gases invisibles<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p2\">suspendidos en el aire cohabitan con nosotros e ingresan a nuestros cuerpos con la misma rapidez y naturalidad con la que respiramos.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p2\">Inhalaciones territoriales se basa en la captura de esas part\u00edculas y su uso como tinte para te\u00f1ir micomateriales . La primera etapa del proyecto consisti\u00f3 en realizar derivas realizadas con una mochila de recolecci\u00f3n de CO2 ambiental y otros gases presentes en la atm\u00f3sfera de la Ciudad de Buenos Aires y el conurbano sur de Buenos Aires. El dispositivo posee ventiladores que ingresan aire hacia filtros de micelio, que es la parte vegetativa de los hongos que funciona como un biomaterial. Sobre esta superficie viva se depositan las micropart\u00edculas y contaminantes ambientales, como el CO2 y el material particulado respirable. A su vez, posee sensores de gases y otros componentes electr\u00f3nicos que permiten identificar los elementos absorbidos como tambi\u00e9n almacenar los datos de tipolog\u00eda registrados en las \u00e1reas de desplazamiento. Por otro lado, durante los recorridos es posible ver en tiempo real los niveles de gases registrados in situ mediante una pulsera con un lcd conectada a la mochila, que posibilita determinar lugares cr\u00edticos.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p2\">Los filtros utilizados en los diferentes recorridos se fueron ti\u00f1endo acorde a los lugares transitados, obteniendo coloraciones gris\u00e1ceas t\u00edpicas del holl\u00edn y de los residuos de los hidrocarburos presentes en el aire. Con ellos, se realiz\u00f3 un \u201ccian\u00f3metro\u201d (dispositivo creado en el siglo XIX para conocer cu\u00e1n azul pod\u00eda ser el cielo), pero en este caso, contempor\u00e1neo: un instrumento po\u00e9tico para saber cu\u00e1n gris\/cu\u00e1n contaminado puede estar nuestra atmosfera.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p2\">La obra se enmarca dentro de mi desarrollo de cocreaciones interespecies en asociaci\u00f3n con lxs no-humanxs. Mediante la vinculaci\u00f3n con la especie de hongos Pleurotus ostratus, busco accionar sobre el territorio para conocerlo desde la conjunci\u00f3n y el encuentro. Utilizo la tecnolog\u00eda como un medio visualizador que me acompa\u00f1a a indagar el territorio y a rehabitarlo desde la reflexi\u00f3n y la posibilidad de explicitar los productos del capitaloceno presente en el aire que respiramos.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p2\">La convocatoria hace \u00e9nfasis en las miradas hacia lo viviente desde concepciones de la ciencia y el arte. Mi propuesta desconstruye la Ciencia hegem\u00f3nica desde pr\u00e1cticas low-tech DIY (Do It Yourself), GIY (Grow It Yourself) y DIWO (Do It with Others) que democratizan el conocimiento cient\u00edfico y a su vez posibilitan obviar el laboratorio para evitar las manipulaciones invasivas antropoc\u00e9ntricas. En mi l\u00ednea de trabajo, busco abrazar a lxs otrxs vivientes desde el concepto de Anna Tsing de contaminaci\u00f3n para la creaci\u00f3n de mundos superpuestos<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row u_row_style=&#8221;0&#8243; u_row_paralax=&#8221;0&#8243; u_row_scheme=&#8221;0&#8243; css=&#8221;.vc_custom_1661159944526{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\"><strong>Otros proyectos<\/strong><\/h2>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">Artes tecnol\u00f3gicas contempor\u00e1neas<\/span><\/p>\n<p>[\/vc_column_text][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;10&#8243; style=&#8221;pagination&#8221; element_width=&#8221;3&#8243; grid_id=&#8221;vc_gid:1662041886185-35ab9097-36df-9&#8243; taxonomies=&#8221;3183&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Obra hecha en colaboraci\u00f3n con Demian Ferrari <\/p>\n","protected":false},"author":1,"featured_media":11071,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3199,3200,3203],"tags":[],"class_list":["post-11196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fringes-pt-pt","category-h-art-pt-pt","category-miradas-a-lo-viviente-de-la-ciencia-al-arte-pt-pt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Inhalaciones territoriales - Ana Laura Cantera | Fringes - H-ART, Revista de historia, teor\u00eda y cr\u00edtica de arte<\/title>\n<meta name=\"description\" content=\"Conozca la obra de Ana Laura Cantera en colaboraci\u00f3n con Demian Ferrari en la Revista H-ART, Inhalaciones territoriales.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inhalaciones territoriales - Ana Laura Cantera | Fringes - H-ART, Revista de historia, teor\u00eda y cr\u00edtica de arte\" \/>\n<meta property=\"og:description\" content=\"Conozca la obra de Ana Laura Cantera en colaboraci\u00f3n con Demian Ferrari en la Revista H-ART, Inhalaciones territoriales.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/pt-pt\/fringes-pt-pt\/inhalaciones-territoriales\/\" \/>\n<meta property=\"og:site_name\" content=\"Departamento de Historia del Arte | Universidad de los Andes\" \/>\n<meta property=\"article:published_time\" content=\"2022-08-23T11:21:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-01T14:19:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/files\/2022\/08\/Inhalaciones-territoriales-Ana-Laura-Cantera.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"2165\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Oficina de Comunicaciones\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Oficina de Comunicaciones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo estimado de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/pt-pt\\\/fringes-pt-pt\\\/inhalaciones-territoriales\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/pt-pt\\\/fringes-pt-pt\\\/inhalaciones-territoriales\\\/\"},\"author\":{\"name\":\"Oficina de Comunicaciones\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/#\\\/schema\\\/person\\\/723b0bb2a451fce0b58143000e523be8\"},\"headline\":\"Inhalaciones territoriales &#8211; 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