{"id":11199,"date":"2022-08-22T11:59:14","date_gmt":"2022-08-22T16:59:14","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/uncategorized\/topografias-monstruosas-2021-valentina-inostroza-bravo\/"},"modified":"2022-09-01T09:20:44","modified_gmt":"2022-09-01T14:20:44","slug":"topografias-monstruosas-2021-valentina-inostroza-bravo","status":"publish","type":"post","link":"https:\/\/historiadelarte.uniandes.edu.co\/en\/fringes-en\/topografias-monstruosas-2021-valentina-inostroza-bravo\/","title":{"rendered":"Topograf\u00edas Monstruosas (2021) – Valentina Inostroza Bravo"},"content":{"rendered":"

[vc_row equal_height=”yes” content_placement=”middle” u_row_style=”0″ u_row_paralax=”0″ u_row_scheme=”0″ css=”.vc_custom_1661161341318{border-bottom-width: 1px !important;border-bottom-color: #002763 !important;border-bottom-style: solid !important;}”][vc_column width=”1\/4″][vc_single_image image=”9360″ img_size=”medium” alignment=”center”][\/vc_column][vc_column width=”3\/4″][vc_row_inner][vc_column_inner width=”1\/3″][vc_btn title=”La revista” style=”outline-custom” outline_custom_color=”#002763″ outline_custom_hover_background=”#002763″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Frevistas.uniandes.edu.co%2Fjournal%2Fhart|target:_blank”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_btn title=”Post\u00falese” style=”outline-custom” outline_custom_color=”#002763″ outline_custom_hover_background=”#002763″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fh-art%2Fpostulese-fringes%2F”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_btn title=”Contacto” style=”outline-custom” outline_custom_color=”#002763″ outline_custom_hover_background=”#002763″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fproyectos%2Fhart-en-los-limites%2F%23contacto”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row u_row_style=”0″ u_row_paralax=”0″ u_row_scheme=”0″ css=”.vc_custom_1661159887424{padding-top: 60px !important;padding-bottom: 60px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Topograf\u00edas Monstruosas (2021)<\/b><\/h6>\n

[\/vc_column_text][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/3″][vc_single_image image=”9329″ alignment=”center” style=”vc_box_circle_2″ onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.gianfrancofoschino.org\/”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Valentina Inostroza Bravo<\/strong><\/a><\/p>\n

Artista visual[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_video link=”https:\/\/www.youtube.com\/watch?v=QZKz11LGpqc” align=”center”][\/vc_column][\/vc_row][vc_row u_row_style=”0″ u_row_paralax=”0″ u_row_scheme=”0″ css=”.vc_custom_1661159980059{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}”][vc_column][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”9406″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”9404″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”9402″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”9398″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”9400″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Sobre la obra<\/strong><\/h2>\n

Para la convocatoria Miradas de lo viviente de la ciencia al arte, deseo proponer la serie <\/span>Topograf\u00edas Monstruosas<\/span><\/i> (2021), la cual se compone de 4 piezas, <\/span>Reflejos en el ojo de un software<\/span><\/i>, <\/span>Cultivo de posibles<\/span><\/i>, <\/span>Abecedario monstruoso y Blob, <\/span><\/i>de cuales las dos primeras corresponden a arte digital, en tanto las dos \u00faltimas se enmarcan dentro del arte sonoro y bioarte, respectivamente.<\/span><\/p>\n

 <\/p>\n

Las piezas que componen la obra parecieran diversos estados de un mismo ser, un ser que devino y mut\u00f3 a causa de diferentes condiciones, pero que tienen un origen com\u00fan, un cuerpo gordo sobre una plataforma vibratoria, un cuerpo en estado de vibraci\u00f3n a modo de objeto de estudio, el cual constituye una matriz de informaci\u00f3n.<\/span><\/p>\n

 <\/p>\n

Desde all\u00ed se<\/span> explora <\/span><\/i>lo monstruoso a partir del propio cuerpo, recurriendo a lo h\u00edbrido y a un di\u00e1logo activo entre agencia \u201chumana\u201d y virtual para indagar en torno a las posibilidades cr\u00edticas que esto supone. La problem\u00e1tica abordada a trav\u00e9s de <\/span>Topograf\u00edas Monstruosas<\/span><\/i> apunta a c\u00f3mo la creaci\u00f3n de monstruos por medio del cuerpo y la tecnolog\u00eda permite cuestionar las jerarqu\u00edas y categorizaciones verticales de lo humano, poniendo \u00e9nfasis en otras posibilidades de agencia, vitalidad y corporalidad.<\/span><\/p>\n

 <\/p>\n

En este sentido, mi exploraci\u00f3n art\u00edstica se bas\u00f3 en la construcci\u00f3n y deconstrucci\u00f3n de corporalidades monstruosas, vibr\u00e1tiles y fluidas, las cuales se constituyen a trav\u00e9s de una relaci\u00f3n estrecha entre agencia \u201chumana\u201d y no humana, entremezclando datos biom\u00e9tricos, programaci\u00f3n, performatividad corporal, bioarte, animaci\u00f3n y sonidos h\u00edbridos, ocasionando un encuentro activo entre lo (pseudo) humano y lo virtual\/maquinal, borroneado dicha frontera, desbordando lo que se supone humano a trav\u00e9s de ficciones posibles.<\/span><\/p>\n

 <\/p>\n

La construcci\u00f3n de otros cuerpos, espacios y seres tiene relaci\u00f3n al deseo de generar una topograf\u00eda que evidencie y reivindique la existencia de lo monstruoso, de los seres que han sido relegados de lo humano y por ello violentados sistem\u00e1ticamente a partir de la jerarqu\u00eda antropoc\u00e9ntrica y patriarcal que categoriza a los cuerpos.<\/span><\/p>\n

 <\/p>\n

Con relaci\u00f3n t\u00edtulo, <\/span>topograf\u00eda etimol\u00f3gicamente refiere a describir el territorio, en tanto la palabra monstruo deriva del verbo <\/span>monere <\/span><\/i>que significa advertir, es decir constituye una advertencia y\/o aviso. En conjunto y siguiendo la misma l\u00f3gica, la obra apuntar\u00eda a la descripci\u00f3n de un territorio peligroso, una advertencia.<\/span><\/p>\n

 <\/p>\n

De esta manera, la obra se relaciona con el tema propuesto ya que utiliza lo vivo como una fuente de agencia y poder critico-pol\u00edtico, lo cual en conjunto a la tecnolog\u00eda permite generar seres otros que abran nuevas posibilidades de comprensi\u00f3n de lo vivo, abrazando la diversidad, el xenofeminismo y la posdisciplina, universos de sentido que en conjunto a la pr\u00e1ctica art\u00edstica permiten abordar y desbordar las fronteras y categorizaciones fijas.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row u_row_style=”0″ u_row_paralax=”0″ u_row_scheme=”0″ css=”.vc_custom_1661159944526{margin-top: 30px !important;border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #000000 !important;border-top-style: solid !important;}”][vc_column][vc_column_text]<\/p>\n

Otros proyectos<\/strong><\/h2>\n

Artes tecnol\u00f3gicas contempor\u00e1neas<\/span><\/p>\n

[\/vc_column_text][vc_basic_grid post_type=”post” max_items=”10″ style=”pagination” element_width=”3″ grid_id=”vc_gid:1662041902030-2cff2c4b-5f44-1″ taxonomies=”3183″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Obra enmarcada en el arte sonoro y bioarte.<\/p>\n","protected":false},"author":1,"featured_media":9406,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3197,3198,3202],"tags":[],"class_list":["post-11199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fringes-en","category-h-art-en","category-miradas-a-lo-viviente-de-la-ciencia-al-arte-en"],"yoast_head":"\nTopograf\u00edas Monstruosas (2021) - Valentina Inostroza Bravo | Fringes - H-ART, Revista de historia, teor\u00eda y cr\u00edtica de arte<\/title>\n<meta name=\"description\" content=\"Conozca la obra de Valentina Inostroza Bravo en la Revista H-ART, Topograf\u00edas Monstruosas (2021) enmarcada en el arte sonoro y bioarte.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Topograf\u00edas Monstruosas (2021) - Valentina Inostroza Bravo | Fringes - H-ART, Revista de historia, teor\u00eda y cr\u00edtica de arte\" \/>\n<meta property=\"og:description\" content=\"Conozca la obra de Valentina Inostroza Bravo en la Revista H-ART, Topograf\u00edas Monstruosas (2021) enmarcada en el arte sonoro y bioarte.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/en\/fringes-en\/topografias-monstruosas-2021-valentina-inostroza-bravo\/\" \/>\n<meta property=\"og:site_name\" content=\"Departamento de Historia del Arte | Universidad de los Andes\" \/>\n<meta property=\"article:published_time\" content=\"2022-08-22T16:59:14+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-01T14:20:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/files\/2022\/08\/topografiasmonstruosas.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1440\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Oficina de Comunicaciones\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Oficina de Comunicaciones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/fringes-en\\\/topografias-monstruosas-2021-valentina-inostroza-bravo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/fringes-en\\\/topografias-monstruosas-2021-valentina-inostroza-bravo\\\/\"},\"author\":{\"name\":\"Oficina de Comunicaciones\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/#\\\/schema\\\/person\\\/723b0bb2a451fce0b58143000e523be8\"},\"headline\":\"Topograf\u00edas Monstruosas (2021) – Valentina Inostroza Bravo\",\"datePublished\":\"2022-08-22T16:59:14+00:00\",\"dateModified\":\"2022-09-01T14:20:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/fringes-en\\\/topografias-monstruosas-2021-valentina-inostroza-bravo\\\/\"},\"wordCount\":993,\"image\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/fringes-en\\\/topografias-monstruosas-2021-valentina-inostroza-bravo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/files\\\/2022\\\/08\\\/topografiasmonstruosas.png\",\"articleSection\":[\"Fringes\",\"H-ART\",\"Miradas a lo viviente. 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