{"id":2883,"date":"2020-03-03T14:44:07","date_gmt":"2020-03-03T19:44:07","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/?page_id=2883"},"modified":"2021-05-10T11:05:03","modified_gmt":"2021-05-10T16:05:03","slug":"speakers","status":"publish","type":"page","link":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/speakers\/","title":{"rendered":"Speakers"},"content":{"rendered":"

[vc_row][vc_column][vc_single_image source=”external_link” external_img_size=”1920×1080″ custom_src=”https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/Simposio-Landscape-Art-of-the-Americas-Sites-of-Human-Intervention-across-the-Nineteenth-Century.jpg”][vc_tta_accordion style=”flat” shape=”square” color=”peacoc” active_section=”-1″ no_fill=”true”][vc_tta_section title=”Alan Wallach” tab_id=”alan-wallach”][vc_column_text]<\/p>\n

1989-2011 Ralph H. Wark Professor of Art and Art History and Professor of American Studies at the College of William and Mary. From September 2011, Professor Emeritus.<\/p>\n

Received doctorate in art history from Columbia University, New York, NY, in 1973.<\/p>\n

Recipient of the College Art Association\u2019s Distinguished Teaching of Art History Award, 2007 (for citation see http:\/\/www.collegeart.org\/awards\/arthistory2007 <\/a>)<\/p>\n

Specialist in the art of Thomas Cole and the Hudson River School. Also writes frequently on the history of American art and American art institutions. Writings have appeared in (among other places) American Art<\/em>, American Quarterly<\/em>, Art in America<\/em>, The Art Bulletin<\/em>, Art History<\/em>, Art Journal<\/em>, Arts Magazine<\/em>, Artforum<\/em>, Chronicle of Higher Education<\/em>, Harvard Design Magazine<\/em>, Histoire et Critique des Arts<\/em>, The Journal of Aesthetics and Art Criticism<\/em>, The Journal of Design History<\/em>, Marxist Perspectives<\/em>, Kunst und Politik<\/em>, etc.<\/p>\n

Co-curator of \u201cThomas Cole: Landscape into History,\u201d National Museum of American Art (March, 1994), Wadsworth Atheneum (Sept. 1994), and the Brooklyn Museum (Jan. 1995). Exhibition was accompanied by William Truettner and Alan Wallach eds., Thomas Cole: Landscape into History <\/em>(Yale University Press and National Museum of American Art, 1994); author of the catalog\u2019s principal essay, \u201cThomas Cole: Landscape and the Course of American Empire.\u201d<\/p>\n

Author of Exhibiting Contradiction: Essays on the Art Museum in the United States <\/em>(University of Massachusetts Press, 1998, in print).<\/p>\n

Co-editor with Andrew Hemingway of Transatlantic Romanticism: British and American Art and Literature, 1790-1860 <\/em>(University of Massachusetts Press, 2015).<\/p>\n

Co-author with Carol Duncan of two \u201cclassic\u201d essays that have been frequently reprinted, \u201cThe Museum of Modern Art as Late Capitalist Ritual\u201d (1978) and \u201cThe Universal Survey Museum\u201d (1980). Author of<\/p>\n

\u201cThomas Cole and the Aristocracy,\u201d a \u201cclassic\u201d for the American field (1981; reprinted in Elizabeth Milroy and Marianne Doezema eds., Reading American Art <\/em>(Yale University Press, 1998)). Numerous other articles and essays also reprinted.<\/p>\n

Scholarly work discussed in: John Davis, \u201cThe End of the American Century: Current Scholarship on the Art of the United States,\u201d The Art Bulletin <\/em>85, no. 3 (September 2003), pp. 550, 555-557; Jonathan Harris, The New Art History: A Critical Introduction <\/em>(London: Routledge, 2001), pp. 76-81; Wanda M. Corn,<\/p>\n

\u201cComing of Age: Historical Scholarship in American Art,\u201d The Art Bulletin <\/em>70, no. 2 (June 1988), p. 200. Writings have been translated into French, German, Spanish, Russian, Turkish, Macedonian, and Chinese.<\/p>\n

Taught at Kean College of New Jersey 1974-1989; has also taught graduates and undergraduates at Rutgers University, City College, CUNY, Rhode Island College, UCLA, New York University Art Department, Stanford University, City University of New York Graduate Center, University of Michigan (1989).<\/p>\n

Was Distinguished Visiting Professor of Art History at the University of Delaware in the spring of 2006. Was Robert Sterling Clark Distinguished Visiting Professor of Art History at the Clark Institute, Williamstown, MA, in the fall of 2008. Was Terra Visiting Professor of American Art, John F. Kennedy Institut f\u00fcr Nordamerikastudien and Kunsthistorisches Institut, Freie Universit\u00e4t, Berlin, fall of 2010.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Anna O. Marley” tab_id=”anna-o-marley”][vc_column_text]EDUCATION
\n2003-2009 University of Delaware Ph.D. Art History Newark, DE
\n\uf06e Major field: American Art, Minor field: History of Photography
\n\uf06e Dissertation: \u201cRooms with a View: Landscape Representation in the Late Colonial and Early National American Domestic Interior\u201d Committee: Wendy Bellion (advisor), Bernard Herman, Michael Leja, and Maurie McInnis
\n2000- 2003 University of Southern California MA in Art History & Museum Studies Los Angeles, CA
\n1992-1996 Vassar College BA in Art History Poughkeepsie, NY
\n\uf06e Magna cum laude and Departmental Honors<\/p>\n

\n

SELECT PROFESSIONAL EXPERIENCE
\n2009 \u2013 present Pennsylvania Academy of the Fine Arts Philadelphia, PA
\nCurator of Historical American Art and Director of the Center for the Study of the American Artist (since 2016)
\n\uf06e Curator of over fifteen exhibitions, including nationally touring single artist retrospective, group shows with international loans, and a permanent collection reinstallation. Responsible for acquisitions of nineteenth and early-twentieth century American art totaling more than $8 million, lead grant-writing for eleven exhibitions, managing significant exhibition budgets ranging from $30,000 to $1.25 million, and facilitating patron stewardship, community outreach committees, and focus groups related to said exhibitions. Curatorial representative, PAFA Strategic Planning Committee (2013, 2018) PAFA Belonging (Diversity, Equity, Inclusion) Committee (2019). Supervisor, Director of the PAFA Archives; Curatorial Assistants; and Graduate Curatorial Interns.
\nFebruary \u2013 May 2017 University of Delaware Newark, DE
\nVisiting Professor, Mellon Foundation Curatorial Track Ph.D.
\n\uf06e \u201cMaking History in the Americas: Exhibitions and Curatorial Practice\u201d Art History 667-010
\nSeptember 2005 \u2013 August 2006 University Museums of the University of Delaware Newark, DE
\nEdward Loper Catalog Project Curator and Research Assistant
\nSeptember 2005 \u2013 May 2006 National Gallery of Art Washington, D.C.
\nGraduate Lecturer
\nJanuary -February 2006 University of Delaware Newark, DE
\nInstructor
\n\uf06e \u201cAmerican Art, 1607-1865\u201d Art History 230.
\nFebruary 2004 \u2013 May 2005 University of Delaware Newark, DE
\nGraduate Teaching Assistant
\n\uf06e \u201cHistory of Photography\u201d Art History 318, \u201cSurvey of the History of Art: Renaissance to Modern\u201d
\nArt History 154, \u201cSurvey of the History of Art: Cave Painting to Medieval Europe\u201d Art History 153.
\nSeptember 2002 \u2013 May 2003 National Gallery of Art Washington, D.C.
\nIntern, Academic Year Internship in the Museum Profession
\nJuly \u2013 August 2001 National Park Service Yosemite, CA
\nIntern, Historical Architecture Program, List of Classified Structures<\/p>\n

\n

SELECT GRANTS, AWARDS, SCHOLARSHIPS, FELLOWSHIPS
\nFor From the Schuylkill to the Hudson (2019) \u2013 Horowitz Foundation, Henry Luce Foundation, Furthermore Grant, Coffin Grant, Newington Cropsey Foundation; For The Artist\u2019s Garden: American Impressionism and the Garden Movement (2015) Winterthur Research Fellowship (Summer 2013), Mr. & Mrs. Raymond J. Horowitz Foundation for the Arts, Wyeth Foundation for American Art Publication grant, David R. Coffin Grant from the Foundation for Landscape Studies; For A Mine of Beauty: Landscapes by William Trost Richards (2012) \u2013 Wyeth Foundation for American Art Publication grant, Newington-Cropsey Foundation, the Edna W. Andrade Fund of the Philadelphia Foundation; For Henry Ossawa Tanner: Modern Spirit (2012) \u2013 National Endowment for the Humanities, The Terra Foundation for American Art, the Henry Luce Foundation, Exelon Foundation, Mr. & Mrs. Raymond J. Horowitz Foundation for the Arts, the Edna W. Andrade Fund of the Philadelphia Foundation; AAMC Foundation Travel Fellowship (May 2011, May 2012, May 2013), Association of Art Museum Curators, New York, NYM. Keck Foundation Fellowship at the Huntington Library (February 2010), Huntington Library, San Marino, CA; National Gallery of Canada Fellowship in European and Modern Art (January 2009); National Gallery of Canada, Ottawa, Canada; Robert H. Smith International Center for Jefferson Studies Fellowship (October 2008) Monticello, Charlottesville, VA; Attingham Summer School Samuel H. Kress Foundation Scholar (Summer 2008) American Friends of the Attingham Summer School, New York, NY; Henry Luce Foundation Dissertation Fellowship in American Art (2007-2008) American Council of Learned Societies, New York, NY; Gilder Lehrman Fellowship (January-March 2008) John D. Rockefeller, Jr. Library, Colonial Williamsburg, Williamsburg, VA; Lord Baltimore Fellowship (2007\/2008) Maryland Historical Society, Baltimore, MD; Madelyn Moeller Research Fellowship in Southern Material Culture (2007); Museum of Early Southern Decorative Arts, Winston-Salem, NC; Smithsonian Pre-doctoral Fellowship (January to September 2007) Smithsonian American Art Museum, Washington, D.C.; McNeil Dissertation Fellowship (Fall 2006) Winterthur Museum, Garden and Library, Wilmington, DE; Ailsa Mellon Bruce Predoctoral Travel Fellowship ( 2004-2005) For travel to Spain and France. Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC<\/p>\n

\n

EXHIBITIONS
\nAt the Pennsylvania Academy of the Fine Arts
\nFrom the Schuylkill to the Hudson: Landscapes of the Early American Republic (2019), Curator; Graphic Women (2017), Curator; Life, Liberty, Happiness? (2016), Co-Curator; Thomas Eakins: Photographer (2016), Co-Curator; The Artists Garden: American Impressionism and the Garden Movement, 1887-1920 (2015), Organizing Curator; travel venues: Chrysler Museum of Art, Reynolda House Museum of American Art, and Huntington Library, Art Collections and Botanical Gardens, Florence Griswold Museum; Spiritual Strivings: A Celebration of African American Works on Paper (2014), Curator; Hidden Treasures Unveiled: Watercolors (2013), Co-Curator; Modern Women at PAFA: From Cassatt to O\u2019Keeffe (2013), Co-Curator; A Mine of Beauty: Landscapes by William Trost Richards (2012), Curator; A New Look: Samuel F. B. Morse\u2019s Gallery of the Louvre (2012), Co-Curator ; Henry Ossawa Tanner: Modern Spirit (2012), Organizing Curator; travel venues Cincinnati Museum of Art and Museum of Fine Arts, Houston; Anatomy\/Academy (2011), Lead Curator; American Art Starts Here: PAFA Refreshed, Reloaded (2010), Co-Curator; Virgins, Soldiers, Angels, and Saints: Violet Oakley’s Religious Art from the PAFA Collection (2010), Curator; Public Treasures\/Private Visions: Hudson River School Masterworks (2009), Curator<\/p>\n

\n

SELECT SCHOLARLY PUBLICATIONS
\nEditor and co-author, From the Schuylkill to the Hudson: Landscapes of the of the Early American Republic Philadelphia: Pennsylvania Academy of the Fine Arts, 2019.
\n\u201cLandscapes of the New Republic at Thomas Jefferson\u2019s Monticello\u201d in Building the British Atlantic World. Bernie Herman and Daniel Maudlin Editors, Chapel Hill: University of North Carolina Press, 2016.
\nEditor and co-author, The Artist\u2019s Garden: American Impressionism and the Garden Movement. Philadelphia: University of Pennsylvania Press, 2015.
\nEditor and co-author, A Mine of Beauty: Landscapes by William Trost Richards. Seattle: Marquand Press, 2012.
\nEditor and co-author, Henry Ossawa Tanner: Modern Spirit. Berkeley: University of California Press, 2012.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Astrid G. Tvetenstrand” tab_id=”Astrid-G-Tvetenstrand”][vc_column_text]<\/p>\n

Education<\/h1>\n

Boston University, <\/strong>Boston, MA<\/p>\n

September 2018- Present<\/p>\n

Ph.D. Student in American and New England Studies<\/em><\/p>\n

(Minor) Nineteenth-Century History, (Minor) Nature & Nineteenth-Century Literature Advisor: Ross Barrett,<\/a> Ph.D.<\/p>\n

 <\/p>\n

Sotheby\u2019s Institute of Art<\/strong>, New York, NY<\/p>\n

March 2017<\/p>\n

Master of Arts in American Fine and Decorative Art with Honors<\/em><\/p>\n

Thesis: The Capitalist-Marxist Dichotomy within the Hudson River School:<\/p>\n

Conceptualizing American Property through the Career of Worthington Whittredge (1820-1910) Advisor: Jonathan P. Clancy, Ph.D.<\/p>\n

 <\/p>\n

St. Lawrence University<\/strong>, Canton, NY<\/p>\n

May 2010<\/p>\n

Bachelor of Arts in English, British Literature and Fine Arts, Art History<\/em><\/p>\n

\n

Research Interests<\/h1>\n

Socioeconomic and political influences on the Hudson River School American philosophy and its role in nineteenth-century aesthetics<\/p>\n

\n

Scholarships, Awards, and Fellowships<\/h1>\n

Research Fellowship, <\/strong>September 2019- December 2019<\/p>\n

Boston University, <\/em>Boston, MA<\/p>\n

Buildings & Landscapes: Journal of the Vernacular Architecture Forum<\/p>\n

 <\/p>\n

Linsdell Fellowship, <\/strong>June 2019-August 2019<\/p>\n

Nichols House Museum, <\/em>Boston, MA<\/p>\n

 <\/p>\n

Dean\u2019s Fellowship, <\/strong>September 2018- May 2019<\/p>\n

Boston University, <\/em>Boston, MA<\/p>\n

 <\/p>\n

Dewey Lee Curtis Scholarship\u2014Annapolis Symposium, April 2019<\/strong><\/p>\n

Decorative Arts Trust, <\/em>Media, PA<\/p>\n

 <\/p>\n

Sotheby\u2019s Institute of Art Distinction Award for Theses, March 2017<\/strong><\/p>\n

Sotheby\u2019s Institute of Art, <\/em>New York, NY<\/p>\n

 <\/p>\n

Sotheby\u2019s Institute of Art Academic Honors, March 2017<\/strong><\/p>\n

Sotheby\u2019s Institute of Art, <\/em>New York, NY<\/p>\n

 <\/p>\n

Sotheby\u2019s Institute of Art Merit Scholarship, <\/strong>September 2015- March 2017<\/p>\n

Sotheby\u2019s Institute of Art, <\/em>New York, NY<\/p>\n

\n

Exhibitions<\/h1>\n

Guest Curator<\/strong>, \u201cUnderstanding the Landscape of Upstate through the Hudson River School<\/em>,\u201d (Binghamton Summer First Fridays Art Walk), Bundy Museum of History and Art, Binghamton, NY, June-August 2017.<\/p>\n

 <\/p>\n

Curatorial Assistant<\/strong>, \u201cA Sense of Place, A Sense of Time,\u201d <\/em>Great Harbor Maritime Museum, Northeast Harbor, ME, June-August 2017.<\/p>\n

 <\/p>\n

Curator<\/strong>, \u201cDecorative Arts of the Tredwell Family<\/em>,\u201d <\/strong>Merchant\u2019s House Museum, New York, NY, June- August 2016.<\/p>\n

\n

Service<\/h1>\n

American & New England Studies Graduate Student Association,<\/strong><\/p>\n

Boston University, Boston, MA<\/p>\n

Social Chair, <\/em>September 2019-Present<\/p>\n

 <\/p>\n

American & New England Studies Mentor Program,<\/strong><\/p>\n

Boston University, Boston, MA<\/p>\n

Mentor, <\/em>September 2019- Present<\/p>\n

 <\/p>\n

Boston Alumni Association,<\/strong><\/p>\n

Sotheby\u2019s Institute of Art, New York, NY<\/p>\n

Co-Chair, <\/em>October 2018- Present<\/p>\n

\n

Professional Experience<\/h1>\n

Bar Harbor Historical Society, <\/strong>Bar Harbor, ME<\/p>\n

Curatorial Volunteer, <\/em>July 2019<\/p>\n