{"id":2787,"date":"2020-02-27T19:35:59","date_gmt":"2020-02-28T00:35:59","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/?page_id=2787"},"modified":"2021-06-10T16:10:49","modified_gmt":"2021-06-10T21:10:49","slug":"program","status":"publish","type":"page","link":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/","title":{"rendered":"Program"},"content":{"rendered":"

[vc_row][vc_column][vc_single_image source=”external_link” external_img_size=”1920×1080″ custom_src=”https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/Simposio-Landscape-Art-of-the-Americas-Sites-of-Human-Intervention-across-the-Nineteenth-Century.jpg”][vc_tta_accordion style=”flat” shape=”square” color=”peacoc” active_section=”-1″ no_fill=”true”][vc_tta_section title=”Friday, May 14″ tab_id=”14-may”][vc_video link=”https:\/\/youtu.be\/yIUlM2fdNL4″][vc_column_text]<\/p>\n

9:00 \u2013 9:30 am (GMT-5)<\/h3>\n

Inauguration
\nOpening statements:<\/h2>\n

Ver\u00f3nica Uribe<\/strong><\/span><\/a>, Directora del Departamento de Historia del Arte\/\/ Chair Art history Department<\/p>\n

\n

9:30 \u2013 10:45 am (GMT-5) (45 min + Q & A)\u00a0<\/strong><\/h3>\n

Opening lecture:<\/h2>\n

\u201cFigures in a Landscape: Picturing Human Agency and the Will of Nature in the Nineteenth Century\u201d.<\/em>
\nRachael DeLue<\/strong>, Princeton University.<\/p>\n

\n

10:45 am – 11:00 am (GMT-5) break<\/h2>\n
\n

11:00 am-12:00 pm (GMT-5) (45 min + Q & A)<\/h3>\n

First panel: Plantations<\/h2>\n

“Harvesting the Tropics: Representing Brazil\u2019s Nineteenth-Century Coffee Fazendas”.<\/em>
\nCaroline Gillaspie<\/strong>, The Graduate Center, New York.<\/p>\n

\u201cTanning, Deforestation, Reforestation, and the Early History of Landscape. Painting in the United States, 1825-1855\u201d.<\/em>
\nKenneth Myers<\/strong>, Detroit Institute of Arts<\/p>\n

\u201cPlantation Paintings in Cuba and the U.S. South: National Identity versus Slavery Justification\u201d.<\/em>
\nRachel Stephens<\/strong>, University of Alabama.<\/p>\n

Moderator: Pr\u00f3spero Carbonell<\/strong>, Alumni from the MA in Art History and the MA in Art, Universidad de los Andes<\/p>\n

\n

12:00 am – 1:15 pm (GMT-5) (60 min + Q & A)<\/h3>\n

Second Panel: Imprint of African Slaves & Indigenous Peoples<\/h2>\n

\u201cPits, Mounds, Scaffolds: Burying and Unearthing Indigenous Bodies in the U.S. Landscape\u201d.<\/em>
\nMar\u00eda Beatriz H. Carri\u00f3n<\/strong>, The Graduate Center, CUNY.<\/p>\n

\u201cContested Ground: Material, Meaning and Place in Nineteenth-Century Plains Painting\u201d.<\/em>
\nRamey Mize<\/strong>, University of Pennsylvania.<\/p>\n

\u201cPicturing West African Muslims in the 19th century Brazilian Landscape: Male Representations in Transatlantic Visual Culture and Architecture\u201d.<\/em>
\nCaroline Olivia Wolf<\/strong>, University of Tennessee at Chattanooga.<\/p>\n

“The Landscape of Prehistory: Mesa Verde and the Framing of the Past in United States Archaeology.<\/em>
\nMatthew Johnston<\/strong>, Lewis & Clark College Portland, Oregon.<\/p>\n

 <\/p>\n

Moderator: Natalia Lozada<\/strong>, Assistant profesor, Department of Art History, Universidad de los Andes<\/p>\n

\n
\n
<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Friday, May 21″ tab_id=”21-may”][vc_video link=”https:\/\/youtu.be\/QFp2_v-x-Bo”][vc_column_text]<\/p>\n

9:00 to 10:15 am (GMT-5) (45 min + Q & A)<\/h3>\n

Third Panel: Industry & Transportation<\/h2>\n

\u201cPalm Trees and Drydocks: The Tropical Landscape in Carvalho’s Martinique Photographs<\/em>
\nand Their Afterlife in Ink\u201d.<\/em>
\nRemi Poindexter<\/strong>, The Graduate center, CUNY.<\/p>\n

Convention and Ideology in Nineteenth-Century Representations of the Railroad<\/em>
\nAlan Wallach, <\/strong>Ralph H. Wark Professor of Art and Art History and Professor of American Studies Emeritus The College of William and Mary<\/p>\n

\u201cBuscando a la \u00abm\u00e1quina\u00bb en el paisaje tropical venezolano\u201d.<\/em>
\nJos\u00e9 Alvarez Cornett<\/strong>, Universidad Central de Venezuela.<\/p>\n

\u201cUna cualidad l\u00edrica de un encanto duradero:\u201d<\/em> A Dialogue of Paintings (and Painters) at the 1910 International Centenary\u00a0Exhibition in Santiago de Chile
\nElizabeth Boone<\/strong>, University of Alberta.<\/p>\n

Moderator: David Cohen<\/strong>, Assistant profesor, School of Arts and Humanities, Universidad de los Andes<\/span><\/p>\n

\n

10:15 to 10:30 am\u00a0 (GMT-5) break<\/h3>\n
\n

10:30 am- 11:15 am (GMT-5) (45 min + Q & A)<\/h3>\n

Fourth Panel: Photography<\/h2>\n

\u201cRugged Beauty: Americans in the Arctic\u201d.
\n<\/em>Elizabeth Cronin<\/strong>, The New York Public Library.<\/p>\n

\u201cUnidad, paisaje y lugar en la fotograf\u00eda colombiana, a finales del siglo XIX\u201d.
\n<\/em>Carlos Rojas Cocoma<\/strong>, Independiente.<\/p>\n

\u201cThe long-term impact of Humboldtian aesthetics in the contemporary photography of Fernando Cordero: motives, visual constructions, media, atmospheres, and politics of landscape representation\u201d.
\n<\/em>Peter Krieger<\/strong>, Instituto de Investigaciones Est\u00e9ticas, Universidad Nacional Aut\u00f3noma de M\u00e9xico.<\/p>\n

Moderator: Juanita Solano<\/strong>, Assistant profesor, Department of Art History, Universidad de los Andes<\/span><\/p>\n

\n

11:15 am- 11:30 pm (GMT-5) break<\/h3>\n
\n

11:30 am- 12:15 pm\u00a0 (GMT-5) (45 min + Q & A)<\/h3>\n

Fifth Panel: Domestic & Picturesque<\/h2>\n

\u201cPainting Houses: The Domestic Landscape of the Hudson River School\u201d.<\/em>
\nWilliam Coleman<\/strong>, The Olana Partnership.<\/p>\n

\u201cThe Schuylkill River School and the Industrial Picturesque in the Early American <\/em>
\nRepublic\u201d.<\/em>
\nAnna O. Marley<\/strong>, Pennsylvania Academy of the Fine Arts.<\/p>\n

\u201cMural painting and the popular domestic: a building space for the picturesque local imaginary in the Nineteenth century\u201d.<\/em>
\nLina Anzellini<\/strong>, Independent Researcher<\/p>\n

Moderator: Ana Maria Franco<\/strong>, Associate profesor, Department of Art History, Universidad de los Andes<\/span><\/p>\n

\n

2:00 pm- 3:00 pm (45 min + Q & A)<\/h3>\n

Sixth Panel: Figure\/Ground: Humans in Nature<\/h2>\n

\u201cLa construcci\u00f3n del paisaje mexicano en el \u00e1lbum de M\u00e9xico y sus Alrededores, 1855-1856\u201d.<\/em>
\nMaria Jos\u00e9 Rojas<\/strong>, Universidad Aut\u00f3noma de M\u00e9xico.<\/p>\n

\u201cComo si nunca nos hubi\u00e9ramos dicho adi\u00f3s: pareja de retratos en colecci\u00f3n de la familia Cuervo Urisarri\u201d.<\/em>
\nJuan Dario Restrepo<\/strong>, Instituto Caro y Cuervo.<\/p>\n

“Representing Independence on the Battlefields of South America”.
\nEmily Engel<\/strong>, Independent Researcher<\/p>\n

Moderator: Alexander Herrera<\/strong>, Associate profesor, Department of Art History, Universidad de los Andes<\/span>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Wednesday, May 26 (afternoon)” tab_id=”may-26″][vc_video link=”https:\/\/youtu.be\/Pf4pG17EK-U”][vc_column_text]<\/p>\n

2:00-2:45 pm (GMT-5) (30 min + Q & A)<\/h3>\n

Seventh Panel: Plants and Cultivation<\/h2>\n

\u201cCircuitos internacionales de comercio de plantas: Europa \u2013 Latinoam\u00e9rica en el siglo XIX \u2013 XX\u201d.<\/em>
\nClaudia Cendales<\/strong>, Universidad Jorge Tadeo Lozano.<\/p>\n

\u201cIt Must\u2019ve Been a Pineapple:\u201d Henry Morrison Flagler, Martin Johnson Heade, and the Development of Coastal Florida\u201d.<\/em>
\nAstrid Tvetenstrand<\/strong>, Boston University<\/p>\n

Moderator: Dar\u00edo Velandia<\/strong>, Associate profesor, Department of Art History, Universidad de los Andes<\/span><\/p>\n

\n

2:45-3:00 pm (GMT-5) break<\/h3>\n
\n

3:00-4:00 pm (GMT-5) (45 min + Q & A)<\/h3>\n

Eighth Panel: Agriculture<\/h2>\n

“Detr\u00e1s del\u00a0chaki\u00f1\u00e1n: la consolidaci\u00f3n de pr\u00e1cticas agr\u00edcolas y valores c\u00edvicos y en los paisajes de Luis A. Mart\u00ednez”<\/em>
\nDiana Iturralde<\/strong>, Rutgers University.<\/p>\n

\u201cUnbuilding the Landscape in the Reconstruction South\u201d.<\/em>
\nJuliet Sperling<\/strong>,\u00a0 September 2020 \u2013 Kollar Endowed Chair and Assistant Professor of American Art, School of Art + Art History + Design, University of Washington, Seattle, WA<\/p>\n

\u201cEl antiguo reino del az\u00facar: reconsiderando la hacienda azucarera en la obra de Francisco Oller\u201d.<\/em>
\nTamara Calca\u00f1o<\/strong>, Universidad de Puerto Rico, Recinto de Rio Piedras.<\/p>\n

Moderator: Alexander Herrera<\/strong>, Associate profesor, Department of Art History, Universidad de los Andes<\/span><\/p>\n

\n

4:15-4:30 pm (GMT-5)<\/h3>\n

Closing statetement<\/h2>\n

Katherine Manthorne<\/strong>, Art History Doctoral Program, Graduate Center, City University of New York<\/p>\n

\n

4:30-5:30 pm (GMT-5) (45 min + Q & A)<\/h3>\n

Closing lecture<\/h2>\n

“En busca del paisaje esquivo: las nubes en el cruce de pintura y meteorolog\u00eda en el Viaje del Beagle (1826-1836)”<\/em>
\nMarta Penhos<\/strong>, Universidad de Buenos Aires[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_single_image source=”external_link” external_img_size=”1920×1080″ custom_src=”https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/Simposio-Landscape-Art-of-the-Americas-Sites-of-Human-Intervention-across-the-Nineteenth-Century.jpg”][vc_tta_accordion style=”flat” shape=”square” color=”peacoc” active_section=”-1″ no_fill=”true”][vc_tta_section title=”Friday, May 14″ tab_id=”14-may”][vc_video link=”https:\/\/youtu.be\/yIUlM2fdNL4″][vc_column_text] 9:00 \u2013 9:30 am (GMT-5) Inauguration Opening statements: Ver\u00f3nica Uribe, Directora del Departamento de Historia del Arte\/\/ Chair Art history Department 9:30 \u2013 10:45 am (GMT-5) (45 min + Q & A)\u00a0 Opening lecture: \u201cFigures in a Landscape: Picturing Human Agency […]<\/p>\n","protected":false},"author":1,"featured_media":2712,"parent":2782,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2787","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nProgramme - Landscape Art of the Americas Symposium - Uniandes<\/title>\n<meta name=\"description\" content=\"Programme - Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium - Uniandes - Bogot\u00e1, Colombia\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Programme - Landscape Art of the Americas Symposium - Uniandes\" \/>\n<meta property=\"og:description\" content=\"Programme - Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium - Uniandes - Bogot\u00e1, Colombia\" \/>\n<meta property=\"og:url\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/\" \/>\n<meta property=\"og:site_name\" content=\"Departamento de Historia del Arte | Universidad de los Andes\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-10T21:10:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/05-21-terra-symposium.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1440\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/\",\"url\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/\",\"name\":\"Programme - Landscape Art of the Americas Symposium - Uniandes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/files\\\/2020\\\/02\\\/05-21-terra-symposium.jpg\",\"datePublished\":\"2020-02-28T00:35:59+00:00\",\"dateModified\":\"2021-06-10T21:10:49+00:00\",\"description\":\"Programme - Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium - Uniandes - Bogot\u00e1, Colombia\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/#primaryimage\",\"url\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/files\\\/2020\\\/02\\\/05-21-terra-symposium.jpg\",\"contentUrl\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/files\\\/2020\\\/02\\\/05-21-terra-symposium.jpg\",\"width\":1440,\"height\":2560},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/program\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium\",\"item\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/en\\\/landscape-art-of-the-americas\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Program\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/#website\",\"url\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/\",\"name\":\"Departamento de Historia del Arte | Universidad de los Andes\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/historiadelarte.uniandes.edu.co\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Programme - Landscape Art of the Americas Symposium - Uniandes","description":"Programme - Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium - Uniandes - Bogot\u00e1, Colombia","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"Programme - Landscape Art of the Americas Symposium - Uniandes","og_description":"Programme - Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium - Uniandes - Bogot\u00e1, Colombia","og_url":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/","og_site_name":"Departamento de Historia del Arte | Universidad de los Andes","article_modified_time":"2021-06-10T21:10:49+00:00","og_image":[{"width":1440,"height":2560,"url":"https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/05-21-terra-symposium.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/","url":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/","name":"Programme - Landscape Art of the Americas Symposium - Uniandes","isPartOf":{"@id":"https:\/\/historiadelarte.uniandes.edu.co\/#website"},"primaryImageOfPage":{"@id":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/#primaryimage"},"image":{"@id":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/#primaryimage"},"thumbnailUrl":"https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/05-21-terra-symposium.jpg","datePublished":"2020-02-28T00:35:59+00:00","dateModified":"2021-06-10T21:10:49+00:00","description":"Programme - Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium - Uniandes - Bogot\u00e1, Colombia","breadcrumb":{"@id":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/#primaryimage","url":"https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/05-21-terra-symposium.jpg","contentUrl":"https:\/\/historiadelarte.uniandes.edu.co\/files\/2020\/02\/05-21-terra-symposium.jpg","width":1440,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/program\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/historiadelarte.uniandes.edu.co\/en\/"},{"@type":"ListItem","position":2,"name":"Landscape Art of the Americas: Sites of Human Intervention across the Nineteenth Century Symposium","item":"https:\/\/historiadelarte.uniandes.edu.co\/en\/landscape-art-of-the-americas\/"},{"@type":"ListItem","position":3,"name":"Program"}]},{"@type":"WebSite","@id":"https:\/\/historiadelarte.uniandes.edu.co\/#website","url":"https:\/\/historiadelarte.uniandes.edu.co\/","name":"Departamento de Historia del Arte | Universidad de los Andes","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/historiadelarte.uniandes.edu.co\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/pages\/2787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/comments?post=2787"}],"version-history":[{"count":47,"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/pages\/2787\/revisions"}],"predecessor-version":[{"id":6582,"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/pages\/2787\/revisions\/6582"}],"up":[{"embeddable":true,"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/pages\/2782"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/media\/2712"}],"wp:attachment":[{"href":"https:\/\/historiadelarte.uniandes.edu.co\/en\/wp-json\/wp\/v2\/media?parent=2787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}